The Shift in the Air
I’m so happy to see the days slowly getting longer. Spring is on the way, and the warmer weather is very welcome. I don’t mind the cold for a little while, but I do grow tired of it. I’m at that point where I’d love to open the studio windows and let some air in.
Warmer days also mean a little more shop work. I like being able to take my saws out onto the patio so dust doesn’t fill the space. One day I’ll invest in proper ventilation, but right now I don’t do enough of that kind of work to justify the expense. For now, open doors and fresh air will do just fine.
Current Focus
I’ve just completed another painting for The District Gallery, another piece in my architectural series. I’ve really enjoyed digging back through photos from my time around Knoxville and figuring out which ones will translate best through my ink transfer on beeswax process. Not every photo makes the cut. Some images just speak louder than others.
I’ve been so focused that I haven’t shared much on social media lately. I know I need to maintain a presence there, but I also know how easy it is to lose time scrolling. For now, I’m choosing the studio over the feed. I’m sure I’ll find a better balance again soon, but at the moment I’m keeping my head down and knocking out new work.
“After the Last Pour” Merchants of Beer
The Long Game: Mystery Art League
Alongside the architectural series, I’ve been steadily working on my large Mystery Art League painting. Five of the sixteen panels are complete, and I’m really excited about how it’s coming together. The imagery feels strong, and the mechanics of the game element are taking shape in ways I’m proud of.
The goal is to have it finished in time to submit to ArtPrize 2026, and as of now, I’m on schedule. Before it heads north, I’d love to share it in a couple of locations around Tennessee. I’ll post updates on the MAL Instagram and website, as well as here on the blog. There’s some exciting news brewing.
Painting in progress for MAL
Commissions and When to Say Yes
I also have a couple of commissions on the table. Over the years, as I’ve found my footing, I’ve learned to only accept commissions I’m genuinely excited about. The last thing I want is to create something I can’t fully invest in.
When someone commissions a painting, it’s because they connect deeply with what I already do. That means a lot to me. For that reason, I keep commissions limited each year. It allows me to give them the time and attention they deserve.
If you’re interested in commissioning a piece, let’s talk. I just want to make sure we allow the process the time it needs to unfold well.
Looking Ahead: August at Copper Fox Gallery
Later this summer, I’ll be taking a new series of work to Copper Fox Gallery. I’ll also be sharing the reception with Valerie Dunning Edwards, whose mixed media sculptures and paintings are truly impressive.
I already have several ideas forming for this show, and I’m curious to see what other ideas bloom as spring settles in.
Until Next Time
I’ll close this one out here. I’ve just finished a large painting and need to let my fingers rest before diving into the next one. I’ll keep taking photos and making notes about what’s happening in the studio. Maybe I’ll get back into a steady rhythm of sharing again soon.
Thanks for following along.
Best, Randy